THE DISSEMBLANCE OF BREATH (2022) VCA, Melbourne. (Image - Matto Lucas)

“The Dissemblance of Breath” by Jonathon Harris is a muted palette of greys, and blacks aglow in the light of a projection onto raw materials, almost like that of a cinema screen. Surrounding a woven mesh of black tulle and wool, which is shaped into a form resembling a tumbleweed, the floor is adorned with blackened cooking salt. In the corner hidden in shadow sits a commercial broom and chair, the salt—haphazardly brushed—marks an incomplete moment, like the aftermath of a performance, the work is not yet complete.“ Memo Review. December 2022

THE DISSEMBLANCE OF BREATH (2022) performed monologue. LON Gallery, Melbourne (Photos: Chip Shots)

The dissemblance of breath (i) Group show. VCA Artspace, Melbourne

Kriah (i) and Kriah (first repair) (2022)
100cm x 80cm. Digital Print.
Green Screen Series. 8 x A2 digital prints

THE ALIGNMENT (2021)
Plexiglass, Rain coats, 3D drawing, LED, Coat Hangers, Clothes Protectors. Various dimensions.

Influences on History and Reflection. February 2021. The Red Gallery Melbourne (Images: Matto Lucas)

BOTH SIDES OF HISTORY (2021 and 2022)

Digital collages. Various dimensions. Cotton Rag Archive print. Alternating Current, Melbourne.

BOTH SIDES OF MY MOUTH. (2020) INSTALLATION. Various dimensions. (Photos:Matto Lucas)

 THE SPLENDOUR OF OBJECTION. (2019) INSTALLATION. 3M X .75M X 2M (Photos:Matto Lucas)

TO MARK A TIME (2019) FIRST EDITION ‘REPORTS FROM THE HOLOCAUST’ BY LARRY KRAMER, RED RIBBON, SAFTEY PINS, LED COUNTER AND ARDUINO

SPRING CAN REALLY HANG YOU UP THE MOST (2019) HARDWOOD, PLEXIGLASS, FEATHERS, ENAMEL PAINT, LED NEON

THE MAN ON ANALOGUE TELEVISION IS CONCERNED ABOUT RECEPTION (2018/2019). Hardwood, brass and plexiglass (Photos:Matto Lucas and Theresa Harrison)

WAITING FOR ROBERT/RESULTS (2019) Plexiglass 50cm x 50cm x 50cm

I HAVE A TALE TO TELL (2019) Plexiglass and vinyl (Photos:Matto Lucas)

LIFE DRAWING: FIGURES: A, B & C (2009, 2015 & 2018). Pun yum Inc.Castlemaine, The Art Gallery of Ballarat and The Red Gallery, Melbourne.  (Photos:Matto Lucas And artist)

FREEDOM, FLIGHT AND FEATHERS (2017) 3D drawing, plexiglass, ceramics and photography.

THE ORIGINAL MEMORY / THE FINAL ACT (2016) The Art Gallery of Ballarat

COMPOSITE FEAST 2 (2019) (Installation shots: Matto Lucas)

YOUR NOSTALGIA IS MATERIAL FOR CLOWNS (2024) 14 A2 archive prints on 300gsm cotton rag and two performance objects.